DO YOU WANT TO PERFORM IN FRONT OF 7000

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Nov 21, 2007
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#62
thank you sydal. we as artists are not trying to decide if we are gonna do it or not. im sure that its always been payola but where else but rap music is it so in your fucking face?

its so frustrating as a 9-5 fulltime worker with bills to pay and trying to provide music and performances to the public. its shit like this that add on to the list of reasons why indy music in the bay is doing bad. im not making accusations or snitching, but fuck, everybody dont have a large disposable amount of cash just to blow. its not that cats are looking for the hook up, its just that us really talented artist dont get heard or shine cuz we dont have "large disposable amounts of cash" on hand like that.

niggas wonder why its so much dope boy talk on records and everybody a gangster. its cuz us regular guys like me get outspent by these cats! cant get on a decent show cuz i cant drop half of this months rent on a 8 minute set when nobody is there, crazy aint it? and the other non pay shows are like talent shows where 99% of the audience is rappers and their crew.

where the hell did all the fans go? i think if somebody actually says hey, i might not make too much money at first but imma allow DOPE artists to perform then eventually i will cash out and have fans at these shows and i will be looked upon as a pioneer instead of a con-man. i guess that ends my rant...does anybody feel me?
just to show you
 
Nov 21, 2007
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#63
It's not just about DRE, any major label can make anybody they want. Take Soulja Boy for example. Jimmy Iovine can also make anybody a star, it's not just current superstar producers, it's also businessmen.

About making garbage songs, that's how the major players work. They make shit hot, period. A lot of cats like myself don't dig the new shit, but it sure as fuck makes money. Besides, let's be real here, this music shit is a business...people are in it to get paid.

Everyone KNOWS someone at Interscope? I don't KNOW anybody at Interscope personally, but I do know they are there. I've been at a table with A&R's from Interscope, so don't tell me there are none.

Payola has been around, but let's not fool ourselves into thinking it's ethical. In fact, it's not even a legal practice. On top of that, like this here, if you are an artist that knows the business, you wouldn't fall into that shit. Radio stations get paid on advertisements...taking money for spins is absolutely against the code. PLUS, radio is there to PAY artists. Yea. Get your business right, publish your shit, put it on the radio and start gettin' paid. It's not the other way around. Again, just like this, if you want somebody to do something for you, pay THEM, not the other way.

As for A&R's...let's see here.

Mickey Wright
Ted Chung
Murray Elias
William Engram
Ron Fair
Pete Ganbarg
Wendy Goldstein
Teresa La Barbera-Whites
Marc Labelle

Those are just URBAN A&R's.
dude shut up about ethical anbd against the code. it happens!!!! payola happens thats the way it is. and are your really trying to tell me about the biz , ive been it it for 10 years and i went to school for it so dont try with that jimmy shit. like i was sayin another garbage song. so how hard did youy have to search for that and theres only 9! see keep waistin time arguin this shit happens people pay for shit ethical or not break bread or get over it!
 
Apr 25, 2002
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#64
dude shut up about ethical anbd against the code. it happens!!!! payola happens thats the way it is. and are your really trying to tell me about the biz , ive been it it for 10 years and i went to school for it so dont try with that jimmy shit. like i was sayin another garbage song. so how hard did youy have to search for that and theres only 9! see keep waistin time arguin this shit happens people pay for shit ethical or not break bread or get over it!
I didn't have to search long for that shit...the contact info is in my address book. There are more, those are just the ones I have on hand. I've been in it for 8 years, I didn't go to school for it, and I got everything I have on my own through NETWORKING! School can't teach you how to be an artist and make connections, it's just something you have to learn and do on your own. Just like a business management class doesn't guarantee success as a business manager.

It's obvious you don't know much about A&R's because you're sitting here telling me record labels don't have them anymore. Well, I've been face to face with them. Interscope, Def Jam, Universal, Aftermath...they all have A&R's and they are still looking for new talent.

I understand that Payola is part of the game, doesn't mean it's not fucked up. Paying to perform, well, that means any no talent ass rapper can open for somebody...and that's not impressive to the people who buy tickets, nor is it impressive to the people who put a contract in front of your face. I'm not an ignorant internet rapper, I've done my homework and I've done my footwork.

Like I said, keep grindin'...do what you do. I'm not hatin' on you or anybody for makin' your money. But when it comes to this business, there's a little misrepresentation there.
 
Nov 21, 2007
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#65
my whole point youve been face to face with em and didnt get signed. not to dawg your skills cuz i aint peeped yet but not signed. and dawg trust me my network game is on point.
 
Nov 21, 2007
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#66
but do you even know what an a&r rep does? it aint just findin talent. a&r reps find talent then coach talent help produce the album and much much more. no one works on raw talent anymore.
 
Apr 25, 2002
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#67
my whole point youve been face to face with em and didnt get signed. not to dawg your skills cuz i aint peeped yet but not signed. and dawg trust me my network game is on point.
You're absolutely right, I didn't get signed and neither did my group. They listened to one song and tried to tell us how to make it club...we told 'em it wasn't a club song, and we weren't going to make it one. Told 'em thanks, and went on our merry way. If we had complied, we'd probably be making a lot of money right now...but we're not the cats that will compromise our art for a quick buck.

I believe your network game is on point...never said it wasn't.
 
May 12, 2002
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#69
Whats worth it and whats not is up to the buyer to decide. New and lesser known acts do pay for tours with established Artists to broaden their fan bases. I may not want to pay for a star to feature on my project, But will if I think it will tap into his/her following. My folks J3 of the Bayleins just did a wild949 venue and got crazy exposure/publication because of it. Doubt if they paid to get on though.
 
May 9, 2002
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#70
LOL @ Berner being the only dude siding with this hair-brained scheme.

What do you expect? Berner will suck any big named reappers' nuts to be seen on some YouTube video acting like a big shot, when the big named rapper only gives a fuck about his money and or other means of revenue.

SMH
 

DUTCH-F.E

Super Moderator
Apr 25, 2002
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#71
im mean speak for ur self, u can ask GOLD TOES, we get cds off at every show we do, and me and quipto made bread at the show in redway, u just gotta have something tight, IM NOT PAYIN SHIT TO PERFORM, and i wouldnt recomend any established artist to, but cats that aint got shit going on, its really not a bad look.... HYPHY DAVE LET THE HOME BOYS IN SALINAS OPEN UP FOR FREE AT A BIG ASS SHOW, AND HAVE BEEN PUTTING THEM ON,THATS WHY I GOT NOTHING BUT LOVE FOR HIM, SO STOP HATTING IF U DONT WANA DO IT DONT DO IT
blood you payed to preform on that super hyphy. and quit name dropping like i aint sold a cd with gold toes before. what does berner do on his own? no assistance? no big name dj, no feature, no super hyphy show? what does berner do on his own?

i retired so i could give a fuck less who pays for what around here. but i know the game son. and i been doing this shit. respect my mind youngster.

1

p.s.
selling hand to hand cds will buy you gas and dennys. soundscan store bought cds and itunes downloads get you further in the game. so once again, them shows you paying for aint selling you no records.
 
Feb 8, 2004
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#72
Pay to play aint the bizness.Its easy to sell cd's at shows when your cd features the best of the Bay.Personaly I want to be the one who is heard on all of my songs.I would hate to buy a cd of an artist I appreciate only to find out of 15 joints he's only got 2 thats solo songs.Thats a compilation imo.So to get back to my point,when you feature the best of the bay on your cd berner,people tend to buy the product based on features and not for the fact that your rapping on it.Thats all good if you dont care about being heard or give a fuck about your status in the rap game,short term goals lead to short term money.Features to sell cd's.pay to play,...i aint feelin it....Its a damn shame that money speaks before experience and skills
 
Jul 12, 2002
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#74
Hyphy Dave I read your post about wanting free beats for Dubee's albums and thought that was wack as hell but didn't comment. Now with this post I feel the need to comment on this. At the least have somebody OPEN for free. If you can't break bread to pay them to perform then that is weak, straight up. Either you aren't gonna make shit off your show and need to rethink your strategy here, or you are a greedy man. Which one is it?

And also why would you want some garbage ass group performing at your show even if they paid you? It's just gonna make you look bad in the end. There is really no excuse for this BS "give me free beats for Dubee's album" or "we need an opener for a show with 2 big acts performing, but you have to pay if you want to open."

These producer's should not be doing beats for free for Dubee either. Is it their fault that he got caught up and didn't stack enough chips beforehand in case this situation came about? FUCK NO IT'S NOT. If he has kids and needs ends like that then he shouldn't have been putting his kids at risk by doing whatever he did to get caught up.

My 2 Cents.
 
Nov 21, 2007
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#75
first of all doo why should i put money up for shit im already puttin hella time for dis shit. and hella producers need exposure and i almost garentee theyll get it here. second of all fuck all yall that question my tactics for shows. ive been doin it for ten years and never charged a dime for openers just put people on if there music was good. but now i charge 2 people and you guys get on my nutz fuck yall. thats right 2 people im not a promoter that needs 10 opening acts to pay 500 to have the money to put on a show, im a promoter that did it once and charge people to open for a huge ass show that no one on this board would have just got on by talent cause like i said i got my openers that will eat any openers any promoter that can put up. I take care of my people my dj gets 600 every show when i could give him 3 but naw thats my dude. Ask any rapper that has worked with me about me. I get mine so fuck you all opinion.

And Why the Fuck would i pay someone (the opener) who will not bring extra heads. The show i got is gonna sell 6000 by itself so to add an opener is to fill time. why would i pay to let someone perform in front of 6000. and my openers work for free and then they get a buzz then i pay.
 
Mar 21, 2007
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#76
Hyphy Dave I read your post about wanting free beats for Dubee's albums and thought that was wack as hell but didn't comment.
i didnt comment either

he wants a tight beat for free,

not only that,

an exclusive beat

what an asshole!!

i guess everybody wants to fuck over the "unexposed musician"

and why do people act like thats actually exposure,

there's a difference with effects and results


one thing is you being on the credits, the other thing is people giving a shit about your free beats
 
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