Who is YOUR favorite Daygo Producer and WHY? No HATING ALLOWED!!!

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DJ FINGAZ

Cali Untouchables / San Diego Slugger
Feb 9, 2005
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#21
presyce said:
DJ Rek

DJ Fingaz use to be nice, but I can't fuk with him anymore.
Shit...I STILL am nice! thats funny you all on my dick trying to get me to work with your artist and then you say some shit like that, haha
i had to speak on that... FING KONG!.... you got my number
 
Jun 14, 2005
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#22
50cal said:
Im wondering the same thing he produced a couple tracks on the young sicc album, but the song on there west coast in the house that same beat is on willy ringo aka hollowpoint the song bellz up the blokk,, same thing happened to my boys the demolition men one sold it to eiht and the other sold it to tray-dee but no one was trippn
He sold that west coast is the house beat to like 4 people.
 
Apr 12, 2005
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#25
COOPDVILL said:
I Would Have To Say My Favorite Producer OUt Of Sd Right Now Is Jaz Dude Has Too Much Talent And I Think If The Jetsons Had A Few More Pieces Of Equipment Their resume would be alot bigger....
Yeah I have an old trangle laying around here somewhere,and some buckets and drumsticks....hahahahaha,
 
Apr 12, 2005
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#27
COOPDVILL said:
I Would Have To Say My Favorite Producer OUt Of Sd Right Now Is Jaz Dude Has Too Much Talent And I Think If The Jetsons Had A Few More Pieces Of Equipment Their resume would be alot bigger....
I know Ive heard of jaz,I think hogg said he got a beat from him what else has he worked on
 
Jun 17, 2005
711
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www.RaPimp.com
#28
50cal said:
I know Ive heard of jaz,I think hogg said he got a beat from him what else has he worked on
He did "Dimelo Mami" and "Come around my way" on my myspace page... And other tracks for me... That's my nigga right there... Jaz has shown me a lot of love... But yea... those beats that he made for me are old... his new stuff is banging... also, look out for the Granzlam Almighty Solo album... He's finalizing it as we speak and most of the production is done by Dave Moss... I did a few of the tracks... Gone...
 
Apr 12, 2005
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#30
Ra$an said:
i just got my yamaha rs7000 mayne thats it! its a 16 track workstation i can also sample too...
its like rikk man, you would never know i was crakin out that kinda shit on my box ya heard, just like rikk and his equipment.
THE RS7000? DO YOU USE A MIDI CONTROLLER FOR THA? i HAD THE RS7000,i GOT RID OF IT MY CURRENT SET-UP IS THE MPC3000, ROLAND JP8000,MOTIF RACK,AND A YAMAHA TX81Z(FOR MY TALKBOX) i HAD THE MOOG VOYAGER,iM GONNA PROBABLY GET THAT AGAIN OR AN SE1 .yOU ARE RIGHT ABOUT iT AINT THE EQUIPMENT,i JUST LIKE TO FUCK WITH ALL KIND OF SOUNDS AND ITS NEVER ENOUGH.iTS FUNNY CAUSE MY HOMIES HAVE THE DUPLICATE SET OF EQIP EXCEPT ONE GETS RID OF SHIT AND REBUYS, BUT FOR EXAMPLE TONE HAS BEAR WITH ME, AND iM SURE i WILL FORGET SOMething

akai S2000
akai mpc3000
akai MPC4000
emu SP1200
ensoniq ASR10 RACK
ensoniq ASRX
roland mv8000
moog voyager
studio electronics se1 Rack
yamaha motif es rack
roland fantom x
roland juno106
roland 5050
roland 1080
roland-vsynth
korg-triton
korg-ms2000
waldorf-microQ rack
emu-proteus2000 rack
emu-vintage keys rack
emu-mo phatt rack
kurzweil-k2000 rack
novation supernova rack
Korg Kaos (dont sleep on this)
2 1200 turntables and crates of vinyl
software(im not thinking he needs fruity loops newest update)
oh yeah alot of synths have the expansion cards maxed out

Yeah I liked the rs7000 I seen a used one at guitar center for $300 I bought mine new with warranty $1500 out the door,I maxed my ram but i didnt get the outputs expansion,I wish I could fool around with it again cause I wasnt going about the right way to make beats then( not tha Im an expert now)
 
Apr 12, 2005
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#33
Ra$an said:
we used to have an mc505 mayne!
hollis used to make his beats on that!
so i re-upped a little bit, but i plan to buy a motif a triton, an mpc, and that enoniq thing you talkin bout someday, hopefully in a year when my music career explodes. :)
If you have the money the ensoniq eps I wouldnt get(just budgrt) I would get asr10 alot of producers use that,but get the rack cause I was chopping it up with bruce forat he customizes mpc and works on all kinds of samplers and drum machines,keys www.forat.com he was saying that there is a part on the asr10 key version that goes bad and since ensoniq doesnt exist no more those parts are gonna be hard to find the rack is better.If I had to do All over again,I would buy this set-up
1.Mpc 4000
2.Roland fantom x and max out the cards
3.Yamaha motiff ES rack with cards(although I heard yamaha is moving on to another new synth so??? Ill check that out
4.Studio electronics- se1 or atc1 I know you love them basses and one of these will put you where you neeed to be
And that would do it
Actually just a fantom x would do but we talkin if we have some extra money
 

CoopDVill

Super Moderator
May 4, 2003
10,518
6,091
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#34
50cal said:
If you have the money the ensoniq eps I wouldnt get(just budgrt) I would get asr10 alot of producers use that,but get the rack cause I was chopping it up with bruce forat he customizes mpc and works on all kinds of samplers and drum machines,keys www.forat.com he was saying that there is a part on the asr10 key version that goes bad and since ensoniq doesnt exist no more those parts are gonna be hard to find the rack is better.
yea that is so true about that there asr10 that the first keyboard i ever bought in like 95 and it went unfixable on me... but 50 right rack module and and VST's are the way to go right about now...


but rasan you know you always have access to my mpc and my trinity rack anytime playboy....
 

T.C

Sicc OG
Jul 22, 2003
928
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#35
yeah...go with the asr 10. its has better sound quality and you can record vocals into it. (the eps is dope for grimey drums though)
 
Sep 10, 2005
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#36
DJ FINGAZ said:
Shit...I STILL am nice! thats funny you all on my dick trying to get me to work with your artist and then you say some shit like that, haha
i had to speak on that... FING KONG!.... you got my number
Hahahaha I haven't heard your shit in a minute so I dont know anymore. Personally I have no major problem w/ chu. Thats between you and Rek, but I heard what you said with Tez and thats fuked up. Niggas is just trying to make it happen and since you was the one Tez hooked up with in the beginning he wanted to reach out and work with you still. Man you can't be like that. What you have with Rek is between ya'll. Don't let that affect your relations with others. Thats like Jay getting mad at Kanye for hooking up with Nas. Niggas ain't on your dick man. I'm a bigger man than that so i'm not going to go back and fourth with you. I wanted to work with you because you're a major name in Daygo and yes you opened up your door for Tez. Anyway playboy, aint no love lost. You got my number!
 
Jun 17, 2005
711
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www.RaPimp.com
#37
Ya niggas need to stop the bullshit and put that shit behind yall... Cuz 1 rapper or 1 producer or 1 DJ aint putting daygo on... Niggas gotta get ON together and make a big impact... We all got talent and to me, that's all that matters... I got love for all daygo niggas making moves... Gone.
 

DJ FINGAZ

Cali Untouchables / San Diego Slugger
Feb 9, 2005
23
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0
#40
presyce said:
Hahahaha I haven't heard your shit in a minute so I dont know anymore. Personally I have no major problem w/ chu. Thats between you and Rek, but I heard what you said with Tez and thats fuked up. Niggas is just trying to make it happen and since you was the one Tez hooked up with in the beginning he wanted to reach out and work with you still. Man you can't be like that. What you have with Rek is between ya'll. Don't let that affect your relations with others. Thats like Jay getting mad at Kanye for hooking up with Nas. Niggas ain't on your dick man. I'm a bigger man than that so i'm not going to go back and fourth with you. I wanted to work with you because you're a major name in Daygo and yes you opened up your door for Tez. Anyway playboy, aint no love lost. You got my number!
look i aint really got time for the back and forth as well, its simple...this has nothing to do with Rek, yup your right i DID put tez on, and when i spent $3-4 K of MY own money to make his demo and album with the TNT project, i got caught up doing my own shit and told them to grind and do what they had to till i was ready again, then they go out and make somthing happen and dont include me or even attempt to give me any credit or and money back. its pricipal, if he would have had me do the track on that OZ shit and not rek (by the way that was one of Rek's worst beats ever and he DOES have heat!) then that would have been RESPECT! and i would help him to this day with whatever he needed, thats how i get down! just like when i bought my brand new Triton and let Rek borrow it for 1 YEAR, because i thought dude was very talented and i wanted him to make heat. no big deal, if i could help...all good.
you see, then Tez and you get some shit popin in LA and think shit is all good. i ask you for tracks for mixtapes etc..., you turn it down. NOW that shit aint popin, you guys want to fuck with me again, because, YES i AM the man on the DJ shit in SD period! anyone dare to compare track sheet, please holla! But this aint about Egos, its simply about RESPECT.When i used to be in the Studio with tez i made some of my best shit back in the day, hes a good artist...but ther are too many egos in SD, shit the WHOLE west coast and thats why we are not on top right now. i helped out ALOT of people in SD and they never gave back. the ones that did or do now, i got them , anytime, with whatever and they know that.
i always keep it real and speak as true as i can.
FING KONG! aka DJ FINGAZ "the San Diego Slugger!"