Anyone notice how the old formula has been altered?.....there use to be a way to make music happen in the indie world, with a certain formula but now a days ppl short cut and skipp parts of the formula and the end results suffer....then the pressure gets so tight even estiblished lable falls victum to the new formula....fucks the whole game up....
how we formulated our best selling albums:
step one: establish the artist, get him featured on as many albums as we can, ideal 20-30 albums, and at least 5 big selling albums. this starts the buzz.....you are then get worked or promoted by 20-30 different lables!
step two: start to record a solo album, and promote the album by way of flyers 20k-100k to work hand in hand with the buzz from the features, and keep doing features.
step three: another couple 10k's of flyers, along side posters and street appearences at car shows, and events, along side slipping sum snippets out to the streets, and set a date to release the new cd.
step four: release the cd, use about 300 for stores, managers, and distributors, use another 200 for promotions, and try to sell the rest of the first 1000 cds press. keep the all steps above working.......
step five: work all steps above and work consignments, streets sells, and indie store sells, .......find your nitch...
seems like a lot but any one of them steps get left out and your doomed, main thing i see is that many artist like to skipp steps 1 and 2......no a wise move.....shit we have even fucked up and made them same bad moves, many artist are in to big of a hurry to become "that super star".....its great to have a dream but dont over shoot your dream and kill all your resources before you can optimize them......juss sumin on my mind....lol......me and KVE been holding it down for bout 5 yrs or so, and its easy to get the "burn out" effect........when its good its good, but when its slow its dead......i think its juss to watered down right now, go 18 yr boys thinking they own a lable and CEO's aint knwoing shit bout "business" real business that is.....whuts any of yalls formulas?
how we formulated our best selling albums:
step one: establish the artist, get him featured on as many albums as we can, ideal 20-30 albums, and at least 5 big selling albums. this starts the buzz.....you are then get worked or promoted by 20-30 different lables!
step two: start to record a solo album, and promote the album by way of flyers 20k-100k to work hand in hand with the buzz from the features, and keep doing features.
step three: another couple 10k's of flyers, along side posters and street appearences at car shows, and events, along side slipping sum snippets out to the streets, and set a date to release the new cd.
step four: release the cd, use about 300 for stores, managers, and distributors, use another 200 for promotions, and try to sell the rest of the first 1000 cds press. keep the all steps above working.......
step five: work all steps above and work consignments, streets sells, and indie store sells, .......find your nitch...
seems like a lot but any one of them steps get left out and your doomed, main thing i see is that many artist like to skipp steps 1 and 2......no a wise move.....shit we have even fucked up and made them same bad moves, many artist are in to big of a hurry to become "that super star".....its great to have a dream but dont over shoot your dream and kill all your resources before you can optimize them......juss sumin on my mind....lol......me and KVE been holding it down for bout 5 yrs or so, and its easy to get the "burn out" effect........when its good its good, but when its slow its dead......i think its juss to watered down right now, go 18 yr boys thinking they own a lable and CEO's aint knwoing shit bout "business" real business that is.....whuts any of yalls formulas?