Just how strongly do labels feel about their releases before they put 'em out

  • Wanna Join? New users you can now register lightning fast using your Facebook or Twitter accounts.
Mar 9, 2003
458
0
0
www.papertrailmusic.com
#1
Who is doing the regulating out there. Shit I was at our studio last night and they were playing a song that a "well-known" artist did over there. People was on it like it was hella cool. I pulled the engineer/producer to the side and said, "this shit is garbage." Its no egos involved. Dude's name might have made it sell, but amongst NIGGAS that shit would have got the fast forward. He told me, "Man, I know, but he wanted to rap to that beat. I just let him get the verses down, Ihaven't started fuckin with it yet."

Every label has to have people that will give these songs/artists the gas face when it is called for. Shit, I don't even go around there too much because I want to stay objective. I don't have as much attacthment to cats. The reason I got this stupid fuckin name (Game Warden) in the first place was because I am VERY honest with my critique. I make sure I regulate our time and energy by not wasting it on bullshit. I admit, though, that things I thought were weak have been made into something real cool by our engineer. But I make sure that shit does not go unsaid.
secondly, I refuse to get into that shit where these artists call each other by their stage names. FUCK that. I refused. So because of these two things, they started callin me game warden.

Am I wrong? I'm callin these niggas Joe, James and Jack until they prove some shit to me. Sell a buncha records first, be a muthafuckin HOG in the studio and then I'll consider acknowledgin your stage name.


My main point is, I wonder how each indie regulates itself. DO you have assigned people who come in and drop the axe on songs/artists? I blame the flooding of wack music on the labels. They ahve got to be the ones to control what they put out. Maybe majors can't do it becuase they have a commitment for X number of albums. But indies? We can say, we are not putting that shit out there, you can do better.

Only thing I can think of is that:
1. The labels are run by artists. They regulate everybody but theirself and put out their own weak shit.
2. Labels get too friendly withthe aritist to the point where its more of a potna thing than business. I mean be supportive, but dont just be his potna and tell him its raw.

Maybe I'm missing it, though, those are just thoughts of the top of my head. But something is wrong. Its always been wack mc's but they never had such action on getting in stores. Labels gotta be held accountable.
Who is doing the regulating out there?
 

og MS

Member since 1997
Apr 25, 2002
5,532
101
63
51
www.killavalley.com
#2
opinions are opinions... people buy what they like regardless if others think itz wack or tight. That's how the game goes. Regulation is purely up to the consumer. If nobody buys it, maybe that artist will retire. But then again maybe he won't.
 
Apr 26, 2002
1,669
0
0
www.streetcredmg.com
#3
I agree, Im that person at Done Deal and you can ask anybody that affiliated with us! I make sure before we mix it that its right! i call shit CAN! (A Fillmoe word for Garbage) Bailey says it on heated Speeches, "You can ask Charles Kelley He's a Hard Core critic!) And now thats what they call me i dont really like shit, its rare that i like something the first time i hear it, But thats why we take longer in releasing shit but it wont be Half Ass!
 
Apr 25, 2002
7,232
170
63
43
www.idealsentertainment.com
#4
I was the one in the studio for the recording of "Game Theory", telling the producer what to axe and shit. We did one track that I axed completely because it wasn't up to par with what I was trying to do with my project. Since cash was EXTREMELY tight at that point in time, we didn't go to the studio until I knew everybody's shit was polished, where it needed to be. If we went into the studio and somebody spit some bullshit, we re-did it, and I made everybody stay in the booth until the shit was right. Well, actually, there was one verse on a song that ended up being shit, but that was the only time I had to leave the studio to go somewhere and I left it up to the producers judgement.

The last track recorded on my album "Sicker Than Sick" had people grinnin' like a muhfucka, so we put the shit on there. come to find out when the CD drops, people don't like the song cause of the beat, but they think the lyrics are hard...so in reality it is up to the consumer...we just make what we think people want to hear. If people dig it, they dig it, if not, oh well, some folks will some won't. It's all chance.
 
Mar 23, 2003
41
0
0
#5
I think one reason is time is money, when u in the studio some artist know they could of do a verse again or change that beat
but when you paying $40 or more an hour that shit gets expensive. And alot of these cats don't have big budgets and shit