In the new F.E.D.S Magazine Suge talks about Harry O, Snoop, Eminem, Dre and other varies things.
Here's a sample of the interview.
F.E.D.S: We waited a long time for this interview, how the hell are you?
Suge: I'm all right, and thanks for sending me a couple of magazines while I was in the pen. Y'all had one interview with that motherfuckin snitch.
F.E.D.S: Your talking about Harry O?
Suge: Yes
F.E.D.S: Let's talk about a different subject, You represent the color red to the fullest, how did that start?
Suge: No matter what I'm from Compton. I'm from the ghetto. When you take N.W.A the only one that really lived in Compton was Eazy E. Cube lived in South Central, Dre lived there for a minute but he was in the house playing ATARI. So my whole thing is I'm a product of the ghetto. This is what I am, and at the same time I was blessed enough to be an entrepreneur and run a business. I'm not corporate even though I make corporate money.
F.E.D.S: Being that you're successful and from the ghetto, are you afraid being a Crip target because you rep the red?
Suge: I'm far from stupid. When I got involved in this I said, "I'm gonna except whatever comes." Can't nobody do nothing to me. Shit I'm not trying to rush my time, but I don't want to be 40 years old where I can't take care of myself.
F.E.D.S: Do you ever sit back and think about the time that you had with Death Row and say damn, I wish it could could go back to the way it was because you guys had so much fun and made so much money?
Suge: It's always gonna be Death Row, if you ask me. I got it tattooed on me. I own my catalog, I'm still making money off Death Row,and I loved Death Row. Tha Row is where we are right now. It's not about living in the past. It wouldn't be fair to the new artists. I got fucking superstars over here. You talking about Crooked Eye, Eastwood. I can go down the list, but I don't want to leave no one out. It's one thing to put out a record label and make history, but to be able to do it again says a lot. So for those house niggas they can't say its luck.
F.E.D.S: So what's next for Tha Row?
Suge: Real simple, we're doing things for the ghetto. We aren't trying to do a song for the crossover. I give my people the opportunity to do what they want in the studio and all the guys are ghetto motherfuckers and they're talented. Right now ther's not one motherfucker that can go against Crooked I or Eastwood.
F.E.D.S: Anything else you want to add?
Suge: How could Dre can make a song dissing Jemaine Dupri with a white boy? I ain't no racist motherfucker, but he ain't fit to get in our game and talk about our people. This motherfucker talked about Puffy, now Jermaine Dupri, Will Smith and he's doing it with a nigga, that ain't paid enough dues. I don't give a fuck how much you wanna act black, "Boy you ain't no nigga" People need to listen what he says, the motherfucker sounds like he Elvis. He's the first whiteboy to make more money off black people than Elvis.
Here's a sample of the interview.
F.E.D.S: We waited a long time for this interview, how the hell are you?
Suge: I'm all right, and thanks for sending me a couple of magazines while I was in the pen. Y'all had one interview with that motherfuckin snitch.
F.E.D.S: Your talking about Harry O?
Suge: Yes
F.E.D.S: Let's talk about a different subject, You represent the color red to the fullest, how did that start?
Suge: No matter what I'm from Compton. I'm from the ghetto. When you take N.W.A the only one that really lived in Compton was Eazy E. Cube lived in South Central, Dre lived there for a minute but he was in the house playing ATARI. So my whole thing is I'm a product of the ghetto. This is what I am, and at the same time I was blessed enough to be an entrepreneur and run a business. I'm not corporate even though I make corporate money.
F.E.D.S: Being that you're successful and from the ghetto, are you afraid being a Crip target because you rep the red?
Suge: I'm far from stupid. When I got involved in this I said, "I'm gonna except whatever comes." Can't nobody do nothing to me. Shit I'm not trying to rush my time, but I don't want to be 40 years old where I can't take care of myself.
F.E.D.S: Do you ever sit back and think about the time that you had with Death Row and say damn, I wish it could could go back to the way it was because you guys had so much fun and made so much money?
Suge: It's always gonna be Death Row, if you ask me. I got it tattooed on me. I own my catalog, I'm still making money off Death Row,and I loved Death Row. Tha Row is where we are right now. It's not about living in the past. It wouldn't be fair to the new artists. I got fucking superstars over here. You talking about Crooked Eye, Eastwood. I can go down the list, but I don't want to leave no one out. It's one thing to put out a record label and make history, but to be able to do it again says a lot. So for those house niggas they can't say its luck.
F.E.D.S: So what's next for Tha Row?
Suge: Real simple, we're doing things for the ghetto. We aren't trying to do a song for the crossover. I give my people the opportunity to do what they want in the studio and all the guys are ghetto motherfuckers and they're talented. Right now ther's not one motherfucker that can go against Crooked I or Eastwood.
F.E.D.S: Anything else you want to add?
Suge: How could Dre can make a song dissing Jemaine Dupri with a white boy? I ain't no racist motherfucker, but he ain't fit to get in our game and talk about our people. This motherfucker talked about Puffy, now Jermaine Dupri, Will Smith and he's doing it with a nigga, that ain't paid enough dues. I don't give a fuck how much you wanna act black, "Boy you ain't no nigga" People need to listen what he says, the motherfucker sounds like he Elvis. He's the first whiteboy to make more money off black people than Elvis.
