Havent read it myself figured id post it first but from his twitter looks like they are sayin he raped some underage girl or somethin.
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The Tech N9ne seen celebrating Ollie Gates and partying in a BBQ joint’s parking lot just four months ago is nowhere to be found on “Seepage.”
Borne out of frustration over his mother’s illness and the loss of a friend who died waiting for a heart transplant, Tech N9ne’s new six-track EP offers few traces of hope.
After opening with an audio snippet of Tech N9ne trying to make sense of his mother’s condition, the collection plunges straight into darkness. The five remaining tracks were built on beats Tech N9ne collected — but didn’t use — for last year’s full-length “K.O.D.,” short for “King of Darkness.”
On the title track, Tech N9ne cries “so long to the mix plate” over a haunting soundtrack to a lost slasher flick. Later, the twisted, distorted chorus on “Alucard” (“Dracula” backward) is the aural equivalent of a funhouse mirror.
The blackest moment is the brief “Bite Me.” Stopping shy of two minutes, the song opens with a snippet from an unmade porno before Tech N9ne fantasizes about vampirically raping a “teen ho.” The female-sung chorus of “bite me/excite me” suggests the act is consensual, but the screams and pleas to stop through the song’s fade reveal the truth. The sick savagery is reinforced with a creepy violin loop that recalls the “Transylvanian Lullaby” in “Young Frankenstein.”
Krizz Kaliko and Big Scoob attempt to lighten the mood in one track, but their attempts at comedy are laced with threats. Even as Tech N9ne cleverly and comically calls himself the “Little Sphincter,” he makes it clear that he and his crew will bring trouble to anyone who trifles with his Strange Music family.
The relentless nature of the music makes “Seepage” seem longer than its 18 minutes. Mercifully, Tech N9ne releases the listener before his world becomes too oppressive, but he strips all optimism on the way out.
Tech N9ne is a prolific artist who’s bound to surface again soon. Here’s hoping that by then he’ll be in a better space.
Read more: http://www.kansascity.com/2010/11/17/2441102/new-audio-releases-tech-n9ne-goes.html#ixzz15gbUpnGX
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The Tech N9ne seen celebrating Ollie Gates and partying in a BBQ joint’s parking lot just four months ago is nowhere to be found on “Seepage.”
Borne out of frustration over his mother’s illness and the loss of a friend who died waiting for a heart transplant, Tech N9ne’s new six-track EP offers few traces of hope.
After opening with an audio snippet of Tech N9ne trying to make sense of his mother’s condition, the collection plunges straight into darkness. The five remaining tracks were built on beats Tech N9ne collected — but didn’t use — for last year’s full-length “K.O.D.,” short for “King of Darkness.”
On the title track, Tech N9ne cries “so long to the mix plate” over a haunting soundtrack to a lost slasher flick. Later, the twisted, distorted chorus on “Alucard” (“Dracula” backward) is the aural equivalent of a funhouse mirror.
The blackest moment is the brief “Bite Me.” Stopping shy of two minutes, the song opens with a snippet from an unmade porno before Tech N9ne fantasizes about vampirically raping a “teen ho.” The female-sung chorus of “bite me/excite me” suggests the act is consensual, but the screams and pleas to stop through the song’s fade reveal the truth. The sick savagery is reinforced with a creepy violin loop that recalls the “Transylvanian Lullaby” in “Young Frankenstein.”
Krizz Kaliko and Big Scoob attempt to lighten the mood in one track, but their attempts at comedy are laced with threats. Even as Tech N9ne cleverly and comically calls himself the “Little Sphincter,” he makes it clear that he and his crew will bring trouble to anyone who trifles with his Strange Music family.
The relentless nature of the music makes “Seepage” seem longer than its 18 minutes. Mercifully, Tech N9ne releases the listener before his world becomes too oppressive, but he strips all optimism on the way out.
Tech N9ne is a prolific artist who’s bound to surface again soon. Here’s hoping that by then he’ll be in a better space.
Read more: http://www.kansascity.com/2010/11/17/2441102/new-audio-releases-tech-n9ne-goes.html#ixzz15gbUpnGX
