GUN/ASSAULT CHARGES FOR BEANIE SIGEL....

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May 15, 2003
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Judge Seamus McCaffery shows up about 10 minutes late for court.

Beanie Sigel arrives 20 minutes after that.

The rapper emerges unceremoniously from a cab at 1100 Wharton St., wearing shades, a gold medallion on his chest, baggy jean shorts and a long white T-shirt.

His mother and two friends greet him with hugs, then lead him up the courthouse steps. Sigel jogs a little at first, bouncing lightly on his feet, like a boxer being ushered into the ring, and buries his face in his friend's back to duck a photographer.

His sharp cornrows turned up to the sun, Beanie Sigel, the platinum-selling rap star, starts disassembling himself.

First, in the hallway before the courtroom door, Sigel takes off his sunglasses, which he clips to his shorts, and his gold chain, which he hands to his mother. Once inside the courtroom, he slumps down in the last row, the back of his head resting against the wooden doorframe. There, his mother, Michelle Brown, spots his shades and takes those, too.

After waiting for about five minutes, Sigel starts to nod off--his eyes close, his head tilts back sharply, his mouth opens slowly with the onset of sleep. Almost immediately, his mother gently nudges him awake. A few heavy-lidded minutes later the clerk calls his name.

Then, as he reaches the bar--as if more proof is needed that he isn't much for courtrooms--his cell phone rings, blaring a discordant series of notes more rhythm than tune. The phone sparks an inadvertently comic performance. A shrill sound emanating from his pants, Sigel stands rigidly, respectfully, his hands folded at his waist. He makes no move to either answer the phone or shut it off, though it rings loudly enough to drown out the judge's voice.

Finally, at the clerk's behest, he reaches deep into the pocket of his long, baggy jeans and--with a sudden flick of his wrist--kills the music.



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In these few confused seconds, Beanie Sigel--the rapper who has won hearts, minds and dollars with his talent--is finally eclipsed, and Dwight Grant, the young man who may prove ill-equipped to enjoy these spoils, flickers into view.

Grant is a South Philly kid who blew up big and struck hip-hop gold, who took his rap name from Sigel Street--the street where he grew up.

Having two names bestows advantages: No doubt the colorful name Beanie Sigel better matches the weighty stares he casts from album covers, magazine racks and music videos. But it has other, probably unintended benefits.

Beanie Sigel puts out music. Dwight Grant gets hauled off in cuffs by cops.

Though Sigel's assault arrest in July 2001 drew headlines, until now his latest run-ins with the law have gone unreported--probably because his name went unrecognized on the police blotter. That's both understandable and surprising--mainly because, for those of you who've been living under a pretzel cart, the biggie-sized rapper has become one of hip-hop's leading heavyweights.

Beanie Sigel's been on a professional roll for almost five years now. He got signed to the mighty Roc-A-Fella music label without going through the usual demo-tape, open-mike-night hustle, and he scored hefty sales numbers despite making brutally uncompromising music.

His gangsta rap debut, The Truth, and its follow-up, The Reason, firmly established Sigel's star. With some of his power he reached back into North Philly to give a boost to the rapper Freeway, whose own debut bowed at No. 5 on the Billboard charts this past February. Sigel even started a film career with the decidedly urban flick State Property, now a semi-legendary slice of gangsta ultra-violence.

He's got the status symbols--the gold, the cars, the cash, the Gucci shades, the cell phone with the customized ring. The whip-wired, bomb blast, gut-grinding beats of his music resound in his whole look. And when he returns home to South Philly, the people there either embrace him as a hero or get the hell out of his way.

A walk down Sigel Street last week turned up numerous people who were afraid to give their names--and afraid of Beanie Sigel. That's because, along his road to glory, the hip-hopper's accumulated a growing list of arrests, including two cases that remain unresolved.

The preliminary hearing Sigel showed up late for last Thursday revolves around the kind of late-night escapade he raps about. A pair of patrol cops spotted him a little after 2 a.m. on April 20 in the 1600 block of South 22nd Street in a car without a yellow registration sticker.

They signaled him to pull over, and Sigel allegedly hit the gas, leading police on a three-block car chase that turned into a foot pursuit when the heavyset rapper stopped the car and started running. The cops caught up with their man as he banged on the door of a house in the 1800 block of South 20th Street. Precisely how he thought the home's occupant could help him remains a mystery, but the police claim Sigel ditched a holstered .45-caliber Mauser handgun along the path of his attempted flight to freedom.

In true gangsta style, there were nine bullets in the gun, with one round already chambered. And the police also recovered the makings of a mighty fine party: two 16-ounce bottles of codeine cough medicine, a dime bag of pot, 22 Xanax pills, 21 Percocets and 10 unknown white pills. That's a lot of magic beans. But to make matters worse, the handgun turned up stolen from a private residence in Coatesville, so the charges against Sigel ballooned: possession of narcotics with intent to distribute, evading arrest, receiving stolen property and carrying a firearm without a license.

The gun charges are easily the most serious, with a possible penalty of 18 months in jail for Sigel if he's convicted. But that's just the start.

What those particular patrol cops didn't know was that Beanie Sigel was already wanted--on his third assault charge in four years.



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It is alleged in court documents that this past January, on the 1800 block of Wingohocking Avenue, a man named Wendell Mathis stood on the corner chatting up a young woman.

A burgundy Cadillac Escalade rolled slowly in front of them, and Beanie Sigel poked his head out the window.

"What's up, ho?" he said, evidently trying to woo the lady with his raffish charm.

"Why do you have to disrespect her?" Mathis replied.

At this, the car stopped and Beanie Sigel emerged, poking his nose into Mathis' personal space.

"Do you know who I am?" Sigel asked.

"Yeah," Mathis responded. "Beanie Sigel."

At 5 feet 10 inches and 260 pounds, Sigel's Big Mac measurements might not garner much response in a singles ad, but his pillow-soft frame bears about three tons of whupass. Standing out in the street, he's not the same man who needs to be disassembled and guided carefully through the vagaries of court--not the same man who doesn't know what to do with a ringing cell phone.
 
May 15, 2003
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According to the complaint, Sigel stared Mathis down for a moment before turning as if to leave. Then he allegedly sucker-punched the man--tagging him twice, on either eye, before his victim could fall down.

"Yeah," Sigel said, standing over him. "Beanie Sigel. That's right. Beanie Sigel."

The victor rolled away in his Caddy to continue his hip-hop life. The victim showed up in a police station with a nasty bruise on the right side of his face and a broken left orbital bone. That's a busted eye socket to you and me--and a good reason not to stand within range of Beanie Sigel's fists.

The upshot?

Sigel's scheduled to attend another preliminary hearing this week, this time on aggravated assault charges, adding another chapter to a life story that can now be told as readily through court documents as it can through compact discs.

In January 1995 a then-21-year-old Dwight Grant was arrested for dealing crack to an undercover officer on South Croskey Street. He pleaded guilty, took two years probation and got grabbed up again for dealing crack just seven months later, this time on Sigel Street.

That second case was dismissed for a lack of evidence.

Grant got popped again, this time on a pot possession charge in 1996. Charges were dismissed again. These were the days when Beanie the rapper was forming, Hulklike, in the twists and turns of Dwight Grant's life.

"Make a visit/ Stop by the weed spot grab a dub/ I know grams gon have me a grub/ I hit the front door, smell aroma of her food cookin'/ My favorite/ a pot of rice and her stewed chicken."

Lyrics like these, from The Reason's "Mom Praying," create a sensory portrait of Grant's South Philly roots--from the way it felt to the way it smelt, showcasing the writer and performer who took shape in a hardscrabble environment and escaped into the rarefied air of popular stardom.

But Grant's new life didn't replace his old one. It just added a layer to it. Discussing rap's forays into the mainstream with MTV News, he spoke from his heart, which remains on South Philly's streets. "Everybody's partyin', everybody's in the club, dancing and all that," he said. "I ain't dancin', man. I ain't with that. We ain't partying where I'm from. Ain't nobody happy, for real."

It's getting to be an old, modern tale, but Allen Iverson's more publicized struggle to "keep it real"--to maintain ties to his old friends and his old life even as he scales mountains of gold--is echoed in Sigel's own. It's worth noting his vow to stay true to the streets stops at the courthouse door, where the gold chains and the shades might work against him. But in refusing to let stardom change him, Sigel's wound up jeopardizing the amazing gains he's made.

Since releasing his first disc, he was arrested a fourth time, in September 2000, for putting a gun to a woman's head at 21st and Reed streets. He beat that charge when the woman failed to show up in court. And finally, in a much-publicized incident from July 2001, Sigel allegedly used his Bentley to block a Ford F-150 truck driven by 31-year-old Frank Ferrer, then joined a group smackdown of the man.

Guess what?

Ferrer didn't make it to court either.

But if the truth--a guilty or innocent verdict--hasn't exactly emerged in courtrooms, some details of Sigel's life emerge through the case files he's left behind.

After his August '95 arrest, Sigel described his employment history by writing: "No--out of work life. Never a regular job." He listed one child in 1996 and claimed to be working "odd jobs" about 15 hours a week for $100.

The paperwork for his summer 2000 arrest, post-Roc-A-Fella, listed a full-time job with Black Friday Entertainment, and by this time he had three children.

After his summer 2001 arrest, he claimed income of $3,500 a week and five kids. His mother--who posted bail--is described as president of Get Dat Dough Entertainment.

Say what you will about Beanie Sigel.

Say he's a thug and a gangster.

Say he's a no-goodnik who deserves to meet up with somebody, someday, boasting the testicular wherewithal to absorb a punch and throw a solid right cross in response.

But say, too, that Beanie Sigel built himself a life, and he's taken some people with him.

Never mind Freeway's fabulous ride to fame on Sigel's coattails.

Beanie's mom, after his most recent collar, listed a Lansdale address.

In State Property, the rapper's character claims he wants enough money to buy "a big crib in the suburbs." As it turns out, Sigel's probably too busy keeping it real to occupy a pad far from the highway, with a sprinkler gently hissing over a soft summer lawn. But he did serve that particular slice of American pie up to his mother. And now the question is whether he can keep roaming the streets, a free man, as her son.

The whole thing goes down in just a few minutes. The courtroom at 1100 Wharton St. is small and dirty enough to feel desolate even when it's crowded. And a preliminary hearing like this, to determine if enough evidence exists to warrant a trial, passes by with the mournful inevitability of a funeral procession.

The state starts off poorly, waiving the drug-related charges because the police failed to process the evidence in time. (They could decide to resubmit the drug charges after the tests they're waiting for are completed.)

The gun, though, remains an ongoing concern, as does the charge of evading arrest.

Sigel's attorney, Fortunato Perri Jr.--the best-dressed man in a room of three dozen people--asks why the police stopped his client in the first place. Did they have just cause? But there are no summer fireworks here. McCaffrey rules for the commonwealth, setting up a mid-July court date.

Seconds later, Sigel returns to the anteroom. He confers briefly with his attorney, then accepts a warm embrace from his mother, who slowly reassembles the rapper.

With great ceremony, she raises the necklace over his head and drapes it over his shoulders. She gives him back his shades, and they emerge onto the street. The "S" symbol on her own necklace flashes in the sunlight as she calmly, even sweetly, holds one hand in front of the photographer's camera lens to stop him from taking any more pictures.

"You've got enough," she tells him, smiling, as her son walks down the steps.

Together, they stroll down 10th Street, Sigel walking slowly, like a panther in the summer heat. His steps grow more certain, funkier and looser limbed, the further he gets from the courthouse. But the image he leaves behind is just as enduring.



Steve Volk ([email protected]) writes frequently about Operation Safe Streets.