I can comprehend everything your speaking of. The fact is I told you plenty of times that I prefer to use sounds that sound good str8 off the bat according to my opinion, that way it saves me time and I can achieve the results I want in less steps. I know it's possible to manipulate sounds, but the fact is, I never said I wanted to. You should have left it at that and respected what I said, but NO, you continued to attack me with your sound morphing shit. I have nothing against manipulating sound and creating new sounds from other sounds, it's just not my major choice when it comes to percussion especially. I'll EQ, compress, layer, reverb,... no doubt, but to create a completely new and different sound from another sound sample, I usually don't prefer that especially with sounds like snares/claps, kicks, hihats/open hats,... because there's plenty of good sounds out there already. I will rather fuck with synthesis to be honest than to fuck with percussion samples, it makes more sense to create a new bass sound, lead sound, pad, string, 808 style kick, etc... Now that's truely starting from scratch with your most basic waveforms, sine, saw, triangle, square.... Usually, if I want a fat kick, I'll look for a fat kick sample that sounds close to what I want, I ain't going to look for a snare and flip it,etc... because I'm not looking to have fun. To me it's just a waste of time because the new kick I morph from a snare is going to end up sounding just like so many other kick samples out there. Why not just start off with a kick sample to begin with? That's the point I'm trying to make. Just as if I want milk, I'll go to 7-11 or Albertsons... and buy the shit, not milk the fucking cow. You get the fucking point, I like to go str8 to the most convient source, then see what I can do from there. For me it saves time and makes the most sense. If you want to explore and have some fun and be proud, then do what you do. That's all I've been trying to explain to you, yet you keep trying to counter act and force me into doing what you do. I do what I do, you do what you do.