Fucc Hip Hop Vol I Snipplets!!

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May 10, 2002
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#10
Nope ...

.. because the very thing you used to 'grab my attention' is exactly the same thing that made me not want to listen to it.
 
Mar 16, 2004
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#12
MrPeete said:
.. because the very thing you used to 'grab my attention' is exactly the same thing that made me not want to listen to it.
lol...thats biased but I expected that type of reaction from certain group of people when I decided on the title. This is a real album for real people. Not those hip hop types who swear to god KRS is the hottest rapper ever. Like Pac said there are niggas and bitches....rydas and punks....which side are you on? The true niggas will want this album and will bang the shit out of it because its for them. The club dancers will stick his nose up at the album because its just isnt for him. Keep dancin.
 

28g w/o the bag

politically incorrect
Jan 18, 2003
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metro's jurisdiction
siccness.net
#14
doggie, all rap is hip hop (but not all hip hop is rap)... yall are hittin the studio and doin the same thing as KRS One... just with a whole slough of different subject matters... and speakin of gangsta rap, ask any of these 'hip hop heads' and they'll tell you that albums like Straight Outta Compton or Doggystyle are 'Hip Hop Classics'

900
 
Mar 16, 2004
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#15
SOAK::GAME said:
doggie, all rap is hip hop (but not all hip hop is rap)... yall are hittin the studio and doin the same thing as KRS One... just with a whole slough of different subject matters... and speakin of gangsta rap, ask any of these 'hip hop heads' and they'll tell you that albums like Straight Outta Compton or Doggystyle are 'Hip Hop Classics'

900
There both considered hip hop classics but before they becaume hip hop classic and accepted by the east side they were just gangsta rap albums. Adding the word hip hop to it just means it was accepted on that side. Notice they never associate the word hip hop with none of Brotha Lynch or X raided's releases. It's because hip hop is another term for mainstream for us Westcoast rappers.
 
Mar 16, 2004
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#19
From the Art of Rhyme Mag..

Art of Rhyme Magazine has often been accused of catering to certain music. Although most of the time the music we review and feature is based solely on what we receive, there’s an opinion that we don’t do much for the West Coast underground. I’ll say this first, I’m FROM the West, I just wish more West Coast artists would provide us with music.

With that out of the way, lets get down to the point: Insane Clicc Presents Fuck Hip-Hop Vol. 1. Insane Clicc presents a candid view of Southwest Hip Hop with a distinct ode to the west coast rider music of the 90s. They seem to spit in the face of the increasingly “high brow” hip-hop that some pundits feel is superior to old-style G Music. Needless to say it is a welcome change of pace.

The album begins with “Intro” which is a perfect introduction to the different members of the group. Insane Clicc isn’t afraid to represent their unique brand of music, which on songs throughout the album, works. Songs like “Blow It Up,” “Insane Holiday,” “Observe This,” and “On One” hit hard, and is accessible for an average listener or a fan of the genre to really enjoy. Don’t look to be blown away by topics or lyrics, just sit back and enjoy the music as a whole. Trust me, that’s the type of effect that it will have on you.

Overall, this album feels like it’s a step in the right direction for a genre of hip-hop that’s being overlooked tremendously. Although the album has its fair share of dislikes, it’s able to overcome them with some noteworthy performances and a hard-hitting style. This isn’t your academic lyricism; this album breathes its title “Fuck Hip-Hop”. This is definitely an enjoyable album for the targeted audience. Moreover, for a debut compilation, this definitely gives listeners a good taste of what the entire Insane Clicc is trying to do. To eliminate all the suspense for the anticipating fan base this cd is well worth it. It maintains a connection with its targeted audience and gives the fan exactly what we’ve been anticipating.

Marlos’ Score: 7.5/10
(Specific to the listener’s genre preference, good performances, and a couple of poor production selections hamper the finished product from being a classic.)