Evil Boy (NSFW music video)
- Thread starter carl winslow
- Start date
i must of not been looking hard enough but dont recall seeing penis' in the video. youre not missing out on anything badass though. just a very bizarre video
either way the siccness' extreme homophobia is funny...and ironic...considering so many ppl on here spend day and night racking up several thousand posts in a forum with 99.9% men. hopefully being so internet forum savvy will get some of yous laid one day..by a girl
either way the siccness' extreme homophobia is funny...and ironic...considering so many ppl on here spend day and night racking up several thousand posts in a forum with 99.9% men. hopefully being so internet forum savvy will get some of yous laid one day..by a girl
Here is their album, BTW:
http://rapidshare.com/#!download|182|399975307|Die_Antwoord_-__O___2010_.zip|145563
http://rapidshare.com/#!download|182|399975307|Die_Antwoord_-__O___2010_.zip|145563
http://seattletimes.nwsource.com/html/musicnightlife/2013163663_antwoord15.html?cmpid=2628
South African hip-hop crew Die Antwoord tangles with Paramount audience
Much-buzzed South African hip-hop crew Die Antwoord kicked off its first major North American tour at Seattle's Paramount Theatre on Oct. 14 with an in-your-face set.
By Jonathan Zwickel
Seattle Times staff reporter
ALEX CRICK
The South African band Die Antwoord.
Related
Music & Nightlife RSS feed
Concert Review |
Much-buzzed South African hip-hop crew Die Antwoord kicked off its first major North American tour in front of an inattentive audience at Seattle's Paramount Theatre Wednesday night, opening for Canadian dance music producer Deadmau5. The pairing raised an important question: Between a group that features a foul-mouthed, pint-size Barbie doll who spells her name with dollar signs and a DJ who performs while wearing a giant cartoon mouse head, who flaunts the dumber gimmick?
A moot point for Die Antwoord, an Internet meme come alive. Gimmickry is only one facet of the group's art-school conceptualism and culturally-plundering spectacle. Husband-and-wife duo Ninja and Yo-landi Vi$$er — backed last night by tour DJ Fishsticks — are one of the most nuanced developments in hip-hop this year. Their videos demonstrate a jarringly grotesque visual aesthetic; their major label debut "$O$," released earlier this week, obsesses about miscegenation and deviant sexuality. And Wednesday night's 50-minute performance revealed undeniable star power.
Still, DA's heavily-accented, slang-ridden English/Afrikaans rap zoomed over the heads of the majority of the baby-raver crowd, most of which was there to dance to the cartoon-mouse house music of Deadmau5.
When tour DJ Fishsticks emphasized the Euro-techno side of their sound — most significantly on the thumping "Wat Kyk Jy?" — the audience was snagged like bait fish in a dragnet. But when Ninja went a cappella mid-set to deliver a furiously precise freestyle ("I'm the one and ugly/Only god can judge me") the audience tuned out. When he tried leading a hilariously vulgar call-and-response Afrikaans dis, it fell entirely flat.
"We don't like you!" someone yelled.
Accentuated by the visual signifiers made famous in their YouTube videos — Vi$$er's gold-lamé track suit and platinum-blond mullet hairdo, Ninja's prison-style tattoos and Dark Side of the Moon boxer shorts, Fishsticks' bucktooth mask and monk's robe — Die Antwoord played most of "$O$" in sequence. They began with "Enter the Ninja," the track that launched them to international attention, Ninja's lyrical swirl of daft boasts and wide-eyed humility endearing, his thousand-yard-leer equally comical and threatening. They rendered other Internet-famous singles — "Rich B*tch," "Evil Boy" — menacingly, bass and lyrics blasting from the Paramount's enormous sound system.
They closed with "Beat Boy," Ninja unloading its eight minutes of verses with relentless speed and unintelligible diction. Ninja and Vi$$er were clearly frustrated with the crowd; she doused the front row with a water bottle and got middle fingers raised in response. Ninja was undeterred — he finished the song in full force and stalked offstage, leaving Vi$$er to offer a farewell: "To all the rich kids who don't know what's going on, [expletive] you in your [expletive]."
Jonathan Zwickel: 206-464-3239 or [email protected]
South African hip-hop crew Die Antwoord tangles with Paramount audience
Much-buzzed South African hip-hop crew Die Antwoord kicked off its first major North American tour at Seattle's Paramount Theatre on Oct. 14 with an in-your-face set.
By Jonathan Zwickel
Seattle Times staff reporter
ALEX CRICK
The South African band Die Antwoord.
Related
Music & Nightlife RSS feed
Concert Review |
Much-buzzed South African hip-hop crew Die Antwoord kicked off its first major North American tour in front of an inattentive audience at Seattle's Paramount Theatre Wednesday night, opening for Canadian dance music producer Deadmau5. The pairing raised an important question: Between a group that features a foul-mouthed, pint-size Barbie doll who spells her name with dollar signs and a DJ who performs while wearing a giant cartoon mouse head, who flaunts the dumber gimmick?
A moot point for Die Antwoord, an Internet meme come alive. Gimmickry is only one facet of the group's art-school conceptualism and culturally-plundering spectacle. Husband-and-wife duo Ninja and Yo-landi Vi$$er — backed last night by tour DJ Fishsticks — are one of the most nuanced developments in hip-hop this year. Their videos demonstrate a jarringly grotesque visual aesthetic; their major label debut "$O$," released earlier this week, obsesses about miscegenation and deviant sexuality. And Wednesday night's 50-minute performance revealed undeniable star power.
Still, DA's heavily-accented, slang-ridden English/Afrikaans rap zoomed over the heads of the majority of the baby-raver crowd, most of which was there to dance to the cartoon-mouse house music of Deadmau5.
When tour DJ Fishsticks emphasized the Euro-techno side of their sound — most significantly on the thumping "Wat Kyk Jy?" — the audience was snagged like bait fish in a dragnet. But when Ninja went a cappella mid-set to deliver a furiously precise freestyle ("I'm the one and ugly/Only god can judge me") the audience tuned out. When he tried leading a hilariously vulgar call-and-response Afrikaans dis, it fell entirely flat.
"We don't like you!" someone yelled.
Accentuated by the visual signifiers made famous in their YouTube videos — Vi$$er's gold-lamé track suit and platinum-blond mullet hairdo, Ninja's prison-style tattoos and Dark Side of the Moon boxer shorts, Fishsticks' bucktooth mask and monk's robe — Die Antwoord played most of "$O$" in sequence. They began with "Enter the Ninja," the track that launched them to international attention, Ninja's lyrical swirl of daft boasts and wide-eyed humility endearing, his thousand-yard-leer equally comical and threatening. They rendered other Internet-famous singles — "Rich B*tch," "Evil Boy" — menacingly, bass and lyrics blasting from the Paramount's enormous sound system.
They closed with "Beat Boy," Ninja unloading its eight minutes of verses with relentless speed and unintelligible diction. Ninja and Vi$$er were clearly frustrated with the crowd; she doused the front row with a water bottle and got middle fingers raised in response. Ninja was undeterred — he finished the song in full force and stalked offstage, leaving Vi$$er to offer a farewell: "To all the rich kids who don't know what's going on, [expletive] you in your [expletive]."
Jonathan Zwickel: 206-464-3239 or [email protected]
