please check JT THE BIGGA FIGGA "S webiste out please reg on it
BLACKWALLST.COM IS UP & RUNNIN
www.blackwallst.com
thanks
peace out
STREET TEAM
BLACKWALLST.COM IS UP & RUNNIN
www.blackwallst.com
thanks
peace out
STREET TEAM
BLACKWALLST.COM JT THE BIGGA FIGGA SITE UP & RUNNIN
- Thread starter STREETTEAM
- Start date
50 is fuckin terrible and 100 is unheard of... he thinks he can fool a few folks and make a few extra bucks if justa few people pick it up..which in my opinion should not hapen.. he already wants u to go buy 10 of his albums that are in the stores all at the same time, for 15 or twenty a piece and than pay 100 or 50 for some phony ass book that willl tlel youWHAT? how to hussle your fans? sick fuck
lol $100 from a guy who as far as the music industry is concerned had a one hit wonder then disappeared. Im coo but if im trying to make it into the game ill find someone better to get advice from cause lookin at were jt is at he dont know shit bout runnin a label that nigga should be ballin with sucess of game recgonize game instead he rolls around in a bucket.....................shit maybe i should write my own book
DONT KNOW WHAT ALL YALL ARE TALKING ABOUT!! GET YOUR MIND RIGHT THE FIGGARO IS STILL STANDING TALL AND GRITTING.
STOP TRYING TO TALK ABOUT THE MAN ON HOW HE RUN HIS OWN SHIT IF YOU DONT LIKE IT THEN STOP BUYING HIS ALBUMS PERIOD INSTAND OF TRYING TO RUING HIS SALES ALL OVER THIS SITE. IF DUDES WANNA VOICE THERE OPINION ABOUT HIM THEN TELL HIM IN HIS FACE INSTAND OF TRY TO FUCK UP HIS NAME OVER THE INTERNET. LIKE IT ARE NOT JT THE BIGGA FIGGA HAS FLOWS. HE HAD RECYCLED A LOT I KNOW THAT. LIKE OTHERS DO IF YOU DONT LIKE HIS SHIT DO YOUR OWN ALBUMS THEN CAME AT HIM AND TRY TO TELL HIM HOW HE MIGHT WANNA DO THINGS DIFFERENT AND STOP BULLSHITING YOUR SELF HALF OF YOU KNOW IF YOU SEE SOMETHING WITH HIS NAME ARE COMPANY GET LOW YOU WILL BROKE YOUR NECK TO GET THAT ALBUM. AND I KNOW YALL STILL BE POUNDING HIS MUSIC AND TALKING SHIT ON THE SIDE OF YALL NECK. IF YOU TAKE THIS PERSONAL THEN I DONT CARE NIGGAS ALWAYS TALKING ABOUT SOMETHING THAT THEY NEVER TRY DOING AM NOT CALLING ANYONE A HATER CAUSE AM TIRED OF THAT WORD. ANYONE GOT SOMETHING TO SAY ABOUT LIKE TALKING MESS THAT NOTHING IT JUSTS WORDS NO FACES TO BACK ANYTHING. GET YOUR MIND RIGHT OFF TOP...
STOP TRYING TO TALK ABOUT THE MAN ON HOW HE RUN HIS OWN SHIT IF YOU DONT LIKE IT THEN STOP BUYING HIS ALBUMS PERIOD INSTAND OF TRYING TO RUING HIS SALES ALL OVER THIS SITE. IF DUDES WANNA VOICE THERE OPINION ABOUT HIM THEN TELL HIM IN HIS FACE INSTAND OF TRY TO FUCK UP HIS NAME OVER THE INTERNET. LIKE IT ARE NOT JT THE BIGGA FIGGA HAS FLOWS. HE HAD RECYCLED A LOT I KNOW THAT. LIKE OTHERS DO IF YOU DONT LIKE HIS SHIT DO YOUR OWN ALBUMS THEN CAME AT HIM AND TRY TO TELL HIM HOW HE MIGHT WANNA DO THINGS DIFFERENT AND STOP BULLSHITING YOUR SELF HALF OF YOU KNOW IF YOU SEE SOMETHING WITH HIS NAME ARE COMPANY GET LOW YOU WILL BROKE YOUR NECK TO GET THAT ALBUM. AND I KNOW YALL STILL BE POUNDING HIS MUSIC AND TALKING SHIT ON THE SIDE OF YALL NECK. IF YOU TAKE THIS PERSONAL THEN I DONT CARE NIGGAS ALWAYS TALKING ABOUT SOMETHING THAT THEY NEVER TRY DOING AM NOT CALLING ANYONE A HATER CAUSE AM TIRED OF THAT WORD. ANYONE GOT SOMETHING TO SAY ABOUT LIKE TALKING MESS THAT NOTHING IT JUSTS WORDS NO FACES TO BACK ANYTHING. GET YOUR MIND RIGHT OFF TOP...
rakim seems like you just ridin his nuts to me partna..........i aint never talked down on jt the playa and i never will but i will talk down on jt the buisness man and continue to warn people bout his cds long as he keeps takin folks for their money.........and that part bout if i dont like it dont buy it, well i aint bought a getlow cd in damn near 2yrs. Then you come with some 'yall computer nerds' typa shit, first off you dont know me and i defintally aint no computer nerd , just cause i voice my opionon on a bay website that makes me a computer nerd ? i say the same shit in real life that i say on here , and if i saw jt id have no problem tellin him how i feel. What just cause he is a rapper i aint gonna tell him to stop rippin me off , fuck that. Sounds to me like you the real square talkin shit and callin people names on the computer thats some square shit. Im just voicing my anger bout getlow products as i have a right too, if you gonna sell half ass cds dont start crying when people get upset.
oh one more thing ....... STOP SUCKING JT'S DICK RAKIM
oh one more thing ....... STOP SUCKING JT'S DICK RAKIM
All right--enough is enough--this shit is out of control! I've got something to say, and ya'll may not like it, but hey, if I get banned, I'll keep on living. Everything has a reason, and I'm sure JT's recycling does, too, so I'm going to give a possible explanation as to why, based on what I've read, heard and observed about the music industry and JT.
I'm not saying that the recycling is kosher, and I don't know JT personally, but I have a hunch that JT may not have the MANY millions of dollars which some may think he does. This is not a putdown towards JT or Get Low, it's just a guess, and it's based on what happens to underground rappers when they go to a major and don't do as well as they deserve.
First off: the stuff JT did that was distributed by Priority (1993-96 JT, GLP, San Quinn, etc.) didn't do as well as it could have in terms of national sales, and we all know that a major WILL drop you if they spend x-x-x amount of dollars (for studio time, videos, promotion, etc.) and you make below what they spent. This happened to other Bay rappers during the '90s (RBL with Atlantic, Digital Underground with Tommy Boy, etc.) JT probably didn't come out of Priority with much money (if any) to start with.
Furthermore, in a '99 issue of MURDER DOG, JT said that his home studio was robbed and trashed in '98 to where he had virtually nothing left except for some masters. He said that he and Mac Mall would make tiny amounts of dough at a time during '98/'99 doing features and guest appearances to pay for the BEWARE OF THOSE movie and soundtrack, and (I would guess) the Get Low releases of 2000 (i.e. FAMILY BUSINESS, GHETTO PLATINUM, SOMETHING CRUCIAL, which appear to have been recorded in '99). "So what, Sav-Man?" you ask. Well...
My point is, JT was presumably so strapped for cash that he probably couldn't just make the BOT movie all in one shot, so to speak. And again, since his own studio had been essentially destroyed, and he only had small amounts of cash to work with at a time, wouldn't it follow that he might not have been able to AFFORD to have all new JT/Gamblaz/Get Low Player songs on the BOT soundtrack (thus, the recycled tracks from Spice 1, RBL, E-40, Brotha Lynch, etc.) and the Get Low albums that followed? Since he wouldn't have had his own studio anymore (where he could record anytime he wanted), it stands to reason that JT would have had to use outside studios, which is not cheap! And remember that in '99, JT NO LONGER HAD (or has) PRIORITY OR A MAJOR BACKING HIM UP with extra dough to PAY for the studio time, the way they would for a major star like Dre, Snoop, Cube or Eminem (Bayside's done a pretty good job, but as B-12 pointed out in MURDER DOG, it ain't easy to get someone in every music store these days). I'm not JT, and neither are any of us, so we don't know.
As for the compilations and "colllaborations"--think about this: The market is so overflooded with underground artists in the BAY AREA ALONE (from what I've observed and read) that you almost can't count ONLY on local Bay sales anymore to just eat and live, as JT might have done in '93/'95, when there wouldn't have been as much competition (and again, when Priority would have been backing him up with the $$$ needed). Therefore, while it may not be 100% honest, it's not difficult (to me, anyway) to guess WHY JT would have to make CDs with names like Daz, Young Noble, Juvenile, Nas, etc. on the covers. While those artists may not have appeal to some Bay Area fans, their NAMES are nationally known and sell well to Rap fans elsewhere (i.e., the southern states, NYC, wherever), including some who normally wouldn't buy a CD with JT's name on it alone. I admit that it might not be the most HONEST thing in the world to put someone on the cover and only feature that person on three or four songs, but again, JT may be in a situation where he might ONLY BE WORKING WITH SO MUCH CASH AT A TIME for each album, so he may not have enough bread to make all new songs each time out. And the asking prices that these guest artists like Daz, etc., would have might be expensive as well. I'm not JT, and neither are any of us, so we don't know.
Finally, think about this: JT's type of music (street Rap with consciousness) is a genre that MAJOR labels don't really support as much as they did during the '92 to about '98 or so period. Since JT and the Get Low Artists aren't doing JUST anything to sell (such as making records with Justin Timberlake, Mariah Carey, R. Kelly, Christina Aguilera singing on the hooks, etc.), they can't really count on guarantees that the majors will sign them up, nor can they count on guarantees that the MTVs or BETs will play any videos they might make (unless JT and company watered them down in some way). The way the market is now, you can't count on a good song like Spice's "Welcome To The Ghetto" or Cube's "It Was A Good Day" to get played--not enough dancing and jiggling. Thus, another possible explanation into JT's doing what he has to do to sell.
Again, I don't know JT or anyone associated with Get Low personally, but I do believe that we all have to be reasonable and consider the state of things in the music industry and possible events in JT's life and his personal financial situation (whatever it is) before we point fingers at JT or anyone else. As B-12 has pointed out in interviews, this is a business, people. A goddamned business, and sadly, the business side tends to overwhelm the music side at times. Perhaps if JT can accumulate and save enough money overtime (AND get Universal to back him up), he can eventually make CDs with all new material again (it'll be interesting to see what happens at Universal). But to all complaining about JT "ripping you off", etc. JT didn't put a gun to your head and FORCE you to buy his stuff. It's your choice.
Okay. That's It. The End. PEACE!
I'm not saying that the recycling is kosher, and I don't know JT personally, but I have a hunch that JT may not have the MANY millions of dollars which some may think he does. This is not a putdown towards JT or Get Low, it's just a guess, and it's based on what happens to underground rappers when they go to a major and don't do as well as they deserve.
First off: the stuff JT did that was distributed by Priority (1993-96 JT, GLP, San Quinn, etc.) didn't do as well as it could have in terms of national sales, and we all know that a major WILL drop you if they spend x-x-x amount of dollars (for studio time, videos, promotion, etc.) and you make below what they spent. This happened to other Bay rappers during the '90s (RBL with Atlantic, Digital Underground with Tommy Boy, etc.) JT probably didn't come out of Priority with much money (if any) to start with.
Furthermore, in a '99 issue of MURDER DOG, JT said that his home studio was robbed and trashed in '98 to where he had virtually nothing left except for some masters. He said that he and Mac Mall would make tiny amounts of dough at a time during '98/'99 doing features and guest appearances to pay for the BEWARE OF THOSE movie and soundtrack, and (I would guess) the Get Low releases of 2000 (i.e. FAMILY BUSINESS, GHETTO PLATINUM, SOMETHING CRUCIAL, which appear to have been recorded in '99). "So what, Sav-Man?" you ask. Well...
My point is, JT was presumably so strapped for cash that he probably couldn't just make the BOT movie all in one shot, so to speak. And again, since his own studio had been essentially destroyed, and he only had small amounts of cash to work with at a time, wouldn't it follow that he might not have been able to AFFORD to have all new JT/Gamblaz/Get Low Player songs on the BOT soundtrack (thus, the recycled tracks from Spice 1, RBL, E-40, Brotha Lynch, etc.) and the Get Low albums that followed? Since he wouldn't have had his own studio anymore (where he could record anytime he wanted), it stands to reason that JT would have had to use outside studios, which is not cheap! And remember that in '99, JT NO LONGER HAD (or has) PRIORITY OR A MAJOR BACKING HIM UP with extra dough to PAY for the studio time, the way they would for a major star like Dre, Snoop, Cube or Eminem (Bayside's done a pretty good job, but as B-12 pointed out in MURDER DOG, it ain't easy to get someone in every music store these days). I'm not JT, and neither are any of us, so we don't know.
As for the compilations and "colllaborations"--think about this: The market is so overflooded with underground artists in the BAY AREA ALONE (from what I've observed and read) that you almost can't count ONLY on local Bay sales anymore to just eat and live, as JT might have done in '93/'95, when there wouldn't have been as much competition (and again, when Priority would have been backing him up with the $$$ needed). Therefore, while it may not be 100% honest, it's not difficult (to me, anyway) to guess WHY JT would have to make CDs with names like Daz, Young Noble, Juvenile, Nas, etc. on the covers. While those artists may not have appeal to some Bay Area fans, their NAMES are nationally known and sell well to Rap fans elsewhere (i.e., the southern states, NYC, wherever), including some who normally wouldn't buy a CD with JT's name on it alone. I admit that it might not be the most HONEST thing in the world to put someone on the cover and only feature that person on three or four songs, but again, JT may be in a situation where he might ONLY BE WORKING WITH SO MUCH CASH AT A TIME for each album, so he may not have enough bread to make all new songs each time out. And the asking prices that these guest artists like Daz, etc., would have might be expensive as well. I'm not JT, and neither are any of us, so we don't know.
Finally, think about this: JT's type of music (street Rap with consciousness) is a genre that MAJOR labels don't really support as much as they did during the '92 to about '98 or so period. Since JT and the Get Low Artists aren't doing JUST anything to sell (such as making records with Justin Timberlake, Mariah Carey, R. Kelly, Christina Aguilera singing on the hooks, etc.), they can't really count on guarantees that the majors will sign them up, nor can they count on guarantees that the MTVs or BETs will play any videos they might make (unless JT and company watered them down in some way). The way the market is now, you can't count on a good song like Spice's "Welcome To The Ghetto" or Cube's "It Was A Good Day" to get played--not enough dancing and jiggling. Thus, another possible explanation into JT's doing what he has to do to sell.
Again, I don't know JT or anyone associated with Get Low personally, but I do believe that we all have to be reasonable and consider the state of things in the music industry and possible events in JT's life and his personal financial situation (whatever it is) before we point fingers at JT or anyone else. As B-12 has pointed out in interviews, this is a business, people. A goddamned business, and sadly, the business side tends to overwhelm the music side at times. Perhaps if JT can accumulate and save enough money overtime (AND get Universal to back him up), he can eventually make CDs with all new material again (it'll be interesting to see what happens at Universal). But to all complaining about JT "ripping you off", etc. JT didn't put a gun to your head and FORCE you to buy his stuff. It's your choice.
Okay. That's It. The End. PEACE!